Skip to main content

Featured

Ground Breaking

Reuse, recycle, reduce. We hear these ideas all the time and I tend to think they are good ones. It comes in especially great when someone gives me an old kiln.  That is exactly what happened when the electric kiln that we used for cone 6 glaze firing gave up the ghost at Callanwolde. It’s a good size kiln, much bigger than my electric kiln but I’m not interested in rewiring this one. You may remember I did that with my electric kiln when I installed the kiln sitter (you can read about that here) which I got from another free kiln.

My plan for this kiln is to make it a reduction kiln since that is the look I like best for my pots. I am even considering adding a stoke hole so I can feed some small piece of wood into the kiln for some ash and wood effects.

Before I can start converting it into a gas kiln I need to build a kiln shed. My current kiln room is fine for the electric kiln but it’s too crowded to add flame to the mix. I’m designing a simple lean-to type shed that will have a m…

Variegated Pottery

Last winter Michael Kline visited Penland to show us a few ways he creates variegated pots.  I have made some in the past and loved the results in salt and soda firings so I figured I'd make a few to put into the wood kiln we fired a few weeks ago.

I tried Michael's way where you throw a thick cylinder. You make it just like you would when you are first throwing your pot but before you start shaping add the second clay.  This is done by taking a loop tool and cutting vertical grooves into the cylinder.  You'll likely want to cut these groves the same distance apart all around the piece but it might be interesting to try just doing them on one side.  After the grooves are cut you push coils of the different colored clay into them.  I used Highwater's Phoenix and Orangestone clays because they are very different colors, I like them both in atmospheric firings, they have the same shrink rate, and I had them on hand.  I'm sure you could do the same thing by wedging mason stains into your clay body.  I might be inclined to use a really white clay for that but, again, it might be interesting in a colored clay too.

Once you're done pushing the coils into the cylinder you can finish throwing the pot.  Yes, it might not feel like a perfectly smooth surface but if you just work with it and control it as much as you can it will be fine.  You may have some unevenness at the top, just cut it off with your needle tool and compress the rim.

Pottery Pitcher with two clay bodies by Future Relics Gallery
Variegated Pitcher

I'm glad this pitcher made it through the firing.  It was in the front row at the top so it got a nice glaze from the ash.  The only other glaze on it is a shino liner.

Check out the gallery page - Future Relics Gallery by Lori Buff

Comments

  1. that's one sweet pitcher, love the sheen it acquired. I use two slip colors brushed on to obtain similar effects, once I made three clays into marbles and fired them to cone 10 and they made it much to my amazement and my college professors. Ha.

    ReplyDelete
    Replies
    1. Thanks Linda, yes, I'll be we could think of a bunch of different ways to get something similar, that's something we love about pottery. Isn't it?

      Delete
  2. a friend who also went to Penland showed me that method too :) your pitcher looks AWESOME! fat and lovely :)

    ReplyDelete
    Replies
    1. Thanks Gary, I love a full bodied pitcher.

      Delete

Post a Comment

Popular Posts